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Teachers at Australian school shocked at no warning over redundancies, can apply before ‘externals’

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Teachers at Australian school shocked at no warning over redundancies, can apply before ‘externals’

This article’s primary contributor, Patrick Gillett, is an alumnus of Sunshine Coast Grammar School.

Monday, August 30, 2010

A deal between Sunshine Coast Grammar School headmaster Nigel Fairbairn and the Independent Education Union of Australia has ended a week of uncertainty for 22 of the Queensland, Australia school’s staff.

Last week Wikinews obtained a list of 22 middle management teaching staff allegedly made redundant, or laid off due to restructuring. The restructuring is, apparently, designed to get teachers back into the classroom.

During the week, staff, students, alumni and parents had accused the headmaster of being dishonest and not “tak[ing] a single question” on the issue.

“At 10am there were 21 teachers with big question marks over their employment but by 1pm they had the assurance they would be able to apply for new positions before external applicants,” union secretary Terry Burke said. “Mr Fairbairn said it was clearly the school’s preference to continue the employment of existing staff. It is our view the existing staff are more than capable of taking on the new positions.”

Sunshine Coast Grammar is a private Christian school approximately 95 km (60 miles) north of the state capital, Brisbane.

Teachers at Sunshine Coast Grammar school have told the Sunshine Coast Daily that they received no warning of any pending redundancies. Independent Education Union of Australia representative and school careers counselor Maria Campanini said “teacher morale is very low and people are very disappointed and disillusioned”.

Ms Campanini said that staff were saddened by the handling of the situation by headmaster Nigel Fairbairn. “We got an email announcing a meeting and I thought it would just provide some feedback about the review,” Ms Campanini said. “But the 21 teachers whose jobs were directly affected were herded into a room, Mr Fairbairn read out a prepared statement, turned on his heel and left. He didn’t take a single question. We were just left sitting there in shock.”

An anonymous staff member told the Sunshine Coast Daily that, “Some teachers, who rely on the income and whose positions were abolished, were very distraught and they had to go to class. It appears we’re not valued in the school community, not to be even asked our opinion as to what might be the best outcome, to try and make it work.”

According to Ms Campanini, one of the teachers being made redundant is 30 weeks pregnant with another returning to work after maternity leave. “It’s really stressful for all the people involved,” Ms Campanini said. “People can understand the need for restructure when it’s explained, but we’re none the wiser.”

“When it all happened on Friday, it was morning tea time and a lot of us had to go back in the classroom and teach all afternoon,” the anonymous staff member said.

Parents have accused Fairbairn of constantly changing his version of events, with one telling the Sunshine Coast Daily that, “The school board does not have independent parents on the board, which makes no sense at all. From what I have gathered, Mr Fairbairn is not interested in having parents involved in the decision-making processes.”

Mr Fairbairn is trying to go into damage control and his story keeps changing. He’s told parents this restructure was not financially motivated but has told teachers the complete opposite thing. This is it. The gloves are off.

“Mr Fairbairn is trying to go into damage control and his story keeps changing,” said Julie Hopkins, another Grammar parent. “He’s told parents this restructure was not financially motivated but has told teachers the complete opposite thing. This is it. The gloves are off.”

Wikinews obtained a list of middle management staff allegedly made redundant, or laid off due to restructuring, by the Queensland, Australia school. Sources say that those staff have been told that they can apply for new positions that have opened up.

The list, published on the SCGS alumni Facebook page, contains the names of twenty-two staff members. Seventeen positions are reportedly being opened up, eight of which seem to significantly overlap the old ones.

Mr. Fairbairn “replaced the open and welcoming culture … with the tyrannical and oppressive one.”

The changes are, apparently, designed to get teachers back into the classroom. “We are not cutting subject choices and extracurricular activities, but retaining a student-driven curriculum that integrates with the new Australian Curriculum, in keeping with our commitment to teaching and learning opportunities,” said headmaster Nigel Fairbairn.

Wikinews understands that Fairbairn attracted criticism when he was a head teacher in Christchurch, New Zealand, where a former student claimed that Fairbairn “replaced the open and welcoming culture … with the tyrannical and oppressive one.” Fairbairn refused to comment on the criticism.

People are angry and shocked. I am aware of at least 10 families who have said they will pull their children out of the school – it’s that bad.

Fairbairn’s statement came under attack from 2009 graduates who, in a open letter posted on Facebook, said, “It is also hugely hypocritical to attack these teachers for not spending enough time in the classroom, when from firsthand experience the only time Mr. Nigel Fairbairn was ever sighted was during assembly (which he mysteriously stopped attending), never mind in the classroom, therefore, it is honestly astounding that he could make such unjust and incorrect statements.”

They also expressed embarrassment “to be associated with the name ‘Sunshine Coast Grammar School’ while you are at the head of the great community which Grammar once was.”

Four of the affected teachers “were the backbone of the school when [controversy surrounded founding headmaster John Burgess] happened,” a former prefect (student leader) said. “They got it through that crisis and this is the thanks they get.”

“People are angry and shocked,” they continued. “I am aware of at least 10 families who have said they will pull their children out of the school – it’s that bad.”

The student body has not ruled out protesting the schools plans. “It’s getting to that stage,” the former prefect said. “People are trying to look at it in an intelligent way but there is so much anger out there.”

  • 26 Oct, 2018
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Israel “illegally annexing” east Jerusalem, EU reports

Friday, December 4, 2009

A classified European Union report for 2009 says Israel is actively pursuing the annexation of east Jerusalem. The report accuses Israel of implementing an intricate policy including expanding Jewish settlements and demolishing Palestinian homes. It says policies “are undermining prospects for a Palestinian capital in east Jerusalem and incrementally render a sustainable two-state solution unfeasible”; this is described as, “an integral part of a broader Israeli strategy.”

Israeli Foreign ministry spokesperson, Yigal Palmor, told AFP that the report was “dishonest”, “reflects the Palestinian propaganda” and “is based exclusively on Palestinian versions and figures.” This comes as EU foreign ministers prepare a statement on the Middle East. To allow for US initiatives, EU foreign ministers have not commented on the stalemate between Israel and the Palestinians over past months; but, diplomatic sources say there are “sensitivities” over a Swedish proposal to divide Jerusalem in any peace deal.

Israel is, by practical means, actively pursuing its illegal annexation of east Jerusalem by weakening the Palestinian community in the city, impeding Palestinian urban developments and ultimately separating east Jerusalem from the rest of the West Bank.

Citing official Israeli statistics from the Ministry of Interior executive director of Israel’s HaMoked (Center for the Defence of the Individual) said Wednesday that, “Israel has stripped Palestinians of Jerusalem residency status last year at a faster rate than at any time in the history of the state”. 4,577 residents of East Jerusalem have had their residence revoked in 2008, this is more than half the total revoked in the past 40 years. The Jerusalem municipality places severe restrictions on issuing building permits for Palestinian houses in east Jerusalem, since 2000 over 600 Palestinian-owned structures have been demolished and Palestinians receive fewer than 200 of the 1,500 building permits needed per year.

Developments in east Jerusalem in 2009 were marked by the continued expansion of Israeli settlements and a considerable number of Palestinian house demolitions and eviction orders.

The 14-page annual report dated November 23 was drafted by European envoys and consuls in Jerusalem and Ramallah and presented to Brussels EU institutions a few days ago. This is the first time the annual report has been made public. Haaretz says, in the past, Israel has pressed the EU not to publish fearing it would undermine the European public’s view of Israel. The report was leaked to Israel’s Haaretz daily newspaper and obtained by AFP yesterday.

HAVE YOUR SAY
What measures should the EU take to protest Israeli policy, help Arab residents and stop “settlement activity” in East Jerusalem?
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The expansion of Israeli settlements has sparked a trend of settler violence against the Palestinian population in East Jerusalem. Such criminal actions have been witnessed by Israeli police but are not met with adequate intervention.

The EU report claims the Israeli government and Jerusalem municipality discriminate against Arab residents with regard to building permits, health services, education, sanitation and more. Allegations of assisting private right-wing Jewish organisations, such as Ateret Cohanim and Elad, to alter the city’s demographics are included.The report advises sanctions against people and groups involved in “settlement activity”, and taking other measures to protest Israeli policy and to stop the harming of the Arab population, including an “EU presence at Israeli court cases on house demolitions or evictions of Palestinian families when there is a risk of demolition or eviction of Palestinian families”, and “information sharing on violent settlers in East Jerusalem to assess whether to grant entry to the EU.” The report also recommends implementing measures to strengthen the Palestinian National Authority‘s presence in the city.

Archaeological excavations in Jerusalem near the Temple Mount are mentioned, suggesting “archaeology in this case has become an ideologically motivated tool of national and religious struggle carried out in a manner that modifies the identity and character of the city and threatens to undermine its stability.”

  • 25 Oct, 2018
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Tanker truck fire causes collapse on Oakland Freeway

Sunday, April 29, 2007

A tanker truck carrying approximately 8,600 gallons of unleaded gasoline caught on fire on the Interstate 80/880 interchange in Oakland, California early Sunday morning around 3:40 AM. The fire resulted in the collapse of at least two sections of bridges at the interchange, including one carrying I-580. The multi-level freeway interchange known as the MacArthur Maze connects the Bay Bridge (Interstate 80) to Interstates 580, 880, and 980 and California State Highway 24, and as such it connects several major cities in California, including San Francisco, Oakland, and Berkeley.

The driver, James Mosqueda, 51, of Woodland, California, escaped from his truck before the fire. He was the only person reported to be hurt, suffering second-degree burns. No other vehicles were involved in the crash.

The driver was believed to be speeding, resulting in a loss of control of the truck, causing it to flip over and subsequently burst into flames. As the truck was traveling on the interchange of I-80 eastbound to I-880 southbound near the San Francisco Bay Bridge, it is speculated to have hit a guard rail or column during a turn. Shortly thereafter, it exploded into a fire that lasted several hours.

Caltrans officials have announced that repairs will be fast-tracked, but will still take several weeks. Public transit has responded with plans to increase service and re-route buses that used the destroyed interchange.

Gov. Schwarzenegger has declared a state of emergency that in addition to expediting repairs will suspend restrictions on truck traffic hours and provide free use of area public transportation on Monday, April 30.

  • 24 Oct, 2018
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Metropolitan Police to sell New Scotland Yard

Wednesday, October 31, 2012

The Metropolitan Police — the police force for the Greater London area — has announced they may sell their headquarters, New Scotland Yard, in order to cut costs.

They are trying to reduce their £3.6 billion annual budget by £500 million, following cuts by the coalition government. If the sale of New Scotland Yard goes ahead, the Metropolitan Police would move to a new location on the Embankment in the Curtis Green building, formerly the site of Cannon Row Police Station.

Other proposals have been raised including selling off other property assets and closing police counters during off-peak hours, but officer numbers are to be maintained.

New Scotland Yard famously has a three-sided rotating sign that turns 14,000 times per day. John Tully, chairman of the Metropolitan Police Federation, which represents the interests of police officers, said it is “regrettable” that an “iconic building like New Scotland Yard is going to bite the dust”. Tully also noted there will be relocation costs.

[edit]

  • 23 Oct, 2018
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GNOME to be Ubuntu’s default desktop environment, Canonical to stop investing in Ubuntu Phone

Saturday, April 8, 2017

On Wednesday, Mark Shuttleworth, founder of the Ubuntu operating system, announced the open source OS will end its ties with the Unity8 desktop environment and that Ubuntu 18.04 LTS (Long Term Service) will be shipped with the GNOME desktop environment by default. Unity has been Ubuntu’s default desktop environment since it was released six years ago in 2011.

In his blog post, Shuttleworth explained growth of products are decided by the market and the community. Canonical, Ltd., the software company behind Ubuntu, could not gain investors from Unity8, Ubuntu Phone and the convergence shell. Instead, they are shifting their Ubuntu focus on to cloud and IoT (Internet of Things), which Shuttleworth notes finds application in “auto, robotics, networking, and machine learning”.

Canonical — after making controversial desktop environment Unity the default — launched their own smartphone in 2013, called Ubuntu Edge, with a crowd funding campaign target of US$32 million but could not cross the US$13 million mark. A couple of years later, Canonical partnered with bq, Fairphone and Meizu to launch Ubuntu phones. Unity worked for Ubuntu phones but did not perform well in the global market. “I’m not giving up! I will do my best to keep Ubuntu touch and Unity8 standing on both it’s[sic] legs!”, Ubports’ developer Marius Gripsgård posted on his Google+ profile on Wednesday.

“The choice, ultimately, is to invest in the areas which are contributing to the growth of the company”, Shuttleworth wrote in the blog. Following this announcement, GNOME tweeted, “Welcome back Canonical! Ubuntu 18.04 LTS to ship with GNOME by default!”.

Currently, Ubuntu is available in various desktop environments like Ubuntu GNOME (GNOME), Ubuntu MATE (MATE), Xubuntu (XFCE), Kubuntu (KDE Plasma), Lubuntu (LXDE) and Ubuntu Budgie (Budgie), though Unity remains the default for the upcoming version, 17.04 (Zesty Zapus).

  • 23 Oct, 2018
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Colleges offering admission to displaced New Orleans students/OH-WY

See the discussion page for instructions on adding schools to this list and for an alphabetically arranged listing of schools.

Due to the damage by Hurricane Katrina and subsequent flooding, a number of colleges and universities in the New Orleans metropolitan area will not be able to hold classes for the fall 2005 semester. It is estimated that 75,000 to 100,000 students have been displaced. [1]. In response, institutions across the United States and Canada are offering late registration for displaced students so that their academic progress is not unduly delayed. Some are offering free or reduced admission to displaced students. At some universities, especially state universities, this offer is limited to residents of the area.

Contents

  • 1 Overview
  • 2 Ohio
  • 3 Oklahoma
  • 4 Oregon
  • 5 Pennsylvania
  • 6 Rhode Island
  • 7 South Carolina
  • 8 South Dakota
  • 9 Tennessee
  • 10 Texas
  • 11 Utah
  • 12 Vermont
  • 13 Virginia
  • 14 Washington
  • 15 West Virginia
  • 16 Wisconsin
  • 17 Wyoming
  • 23 Oct, 2018
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Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

  • 23 Oct, 2018
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American animator Jack Zander dies, aged 99

Thursday, December 20, 2007File:Puss Get the Boot.jpg

Jack Zander, the animator whose career lasted from the “golden age” of theatrical animation into the 1980s, has died at the age of 99 on Monday, December 17.

Born in May of 1908, he helped animate the Tom and Jerry cartoons with William Hanna and Joseph Barbera, including Puss Gets the Boot (1940), The Night Before Christmas (1941), Fine Feathered Friend (1942), and Sufferin’ Cats (1943).

Zander was nominated for an Outstanding Animated Program Emmy in 1981 for Gnomes, and in 1984 he won the Motion Picture Screen Cartoonists’ Golden Award.

  • 22 Oct, 2018
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Wikinews interviews Spanish Paralympic track and field athlete Alberto Suárez Laso

Wednesday, July 17, 2013

With the IPC Athletics World Championships scheduled to start this Friday, Wikinews interviewed Spanish T12 classified long distance runner Alberto Suárez Laso at Madrid–Barajas Airport Monday before he departed for Lyon, France. Suárez is scheduled to compete in two events, the T12 5,000 meters and marathon events.

((Wikinews)) Hi this is Laura Hale. I’m interviewing Alberto Suárez, who is a visually-impaired runner competing for Spain in the IPC World Championships. What events are you doing? ((es))Spanish language: ?¿En qué eventos estás?

Alberto Suárez Laso : Marathon and 5000m. ((es))Spanish language: ?Maratón y 5000m.

((WN)) You have a World Record? Are you going to smash it and give Spain a gold medal? ((es))Spanish language: ?¿Vas a romper el record mundial y darle a España un oro?

Alberto Suárez Laso: This time it’s a bit complicated because I’m going a bit injured. ((es))Spanish language: ?Esta vez está un poco complicado porque voy un poco lesionado

((WN)) Ah. You finished second in London [the 2012 Summer Paralympics]? ((es))Spanish language: ?¿Terminaste segundo en Londres?

Alberto Suárez Laso : I finished first.

((WN)) The injury has impacted you training? ((es))Spanish language: ?¿La lesión ha perjudicado tu entrenamiento?

Alberto Suárez Laso : For the last three weeks I’ve been doing gym and walking machine only. I have pain in my Achilles tendon. ((es))Spanish language: ?Llevo tres semanas solo con gimnasio y elíptica. Tengo dolor en el tendón de Aquiles.

((WN)) So, as someone who writes from an international perspective, do you think Spain’s got all that stuff to help you properly? The medical support, stuff to help you recuperate and be a great runner?

Alberto Suárez Laso : I hope so. We’re there, they’ve been treating me very well and I hope to be able to run without pain, which is the most important thing. I’ve got the training, but I need to remove that pain. ((es))Spanish language: ?Espero que sí. Estamos ahí, me están tratando bastante bien y espero correr sin dolor, que es lo fundamental. La preparación la tengo, pero hay que quitar ese dolor.

((WN)) Do you run with a guide?

Alberto Suárez Laso : No.

((WN)) Okay, so are you T-13?

Alberto Suárez Laso : T-12.

((WN)) Oh. So it’s optional for a guy at T-12?

Translator : He could, but he’s not too badly impaired. He can run by himself.

((WN)) So is your preference to run without a guide?

Alberto Suárez Laso : It’s complicated because of the pace I run at. I would require several guides, and it’s hard to find them. ((es))Spanish language: ?Es una complicación por el ritmo al que corro. Necesitaría varios guías y es dificil conseguirlos.

((WN)) Do most of your competitors run with guides?

Alberto Suárez Laso : Not among the first ones. Well, there are a couple that do run with guides, but the rest don’t. ((es))Spanish language: ?Los primeros no. Bueno, hay un par de ellos que corren con guía, los demás no.

((WN)) Is there anything you would like to say about this competition coming up that people from an international sporting community would find valuable to know?

Alberto Suárez Laso : Mm, I don’t know what to say!

((WN)) Okay. Thank you very much! ((es))Spanish language: ?¡Muchas gracias!

Alberto Suárez Laso : You’re welcome! ((es))Spanish language: ?De nada.

  • 22 Oct, 2018
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MuchMusic Video Awards this Sunday in Toronto, Canada; Wikinews will be there

This article mentions the Wikimedia Foundation, one of its projects, or people related to it. Wikinews is a project of the Wikimedia Foundation.

Wednesday, June 13, 2007

Wikinews will be attending The 2007 MuchMusic Video Awards this weekend, a popular annual event in Toronto, Ontario, Canada. True stars will be out to play, present, and else wise schmooze at the CHUM-City Building just above the city’s Entertainment District in the Queen Street West neighbourhood.

MuchMusic is the most popular music channel in Canada, and has been holding the event since 1990. Roughly 6000 fans line the streets surrounding Much headquarters each year, and 1200 more score “the wristband” and enjoy a free festival-style show in the parking lot, watching four outdoor performance areas spread out in the downtown location. New this year is a special roof-top stage, on the top of the building.

Last year’s show reached 3.5 million viewers in Canada and 100 million around the globe, with broadcasts in 65 countries.

Performing at the show will be Avril Lavigne, Fergie, Billy Talent, Hilary Duff, Alexisonfire, Maroon 5, Belly, The Used, and Finger Eleven.

On stage presenting will be Nickelback, Jay Manuel (Canada’s Next Top Model, America’s Next Top Model), Tara Reid (American Pie, this fall’s Land of Canaan), Joss Stone, Sum 41, Amber Tamblyn (Joan of Arcadia, Grudge 2), Hedley, Chris Bosh (Toronto Raptors), Sean Avery (New York Rangers), George, Sam Roberts, Emilie de Ravin (LOST), Marianas Trench, and Kardinal Offishall.

Photographer Robin Wong will be photographing the red carpet of the MMVAs for Wikinews and Wikipedia. He first helped the sites in April of this year, photographing Hilary Duff at MuchMusic. Wong’s extensive client list includes Fidelty Investments, Flare Magazine, Masterfile, First Light, Fashion Television, FCB Canada, Profit Magazine, Financial Post, and Publicis. His works have appeared in the 2004 and 2005 Applied Arts Awards Annual, the top publication for the creative industry.

Contents

  • 1 Still open for voting
  • 2 FLICK OFF at Gift Lounge
  • 3 See also
  • 4 Sources
  • 5 External links
  • 21 Oct, 2018
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